Friday, 7 May 2010
Early Day Plan
Thursday, 6 May 2010
Typical.

Tuesday, 4 May 2010
Megan Mullally should advertise everything.
Thursday, 29 April 2010
I hate myself! Not really though.
Tuesday, 27 April 2010
'End of an Era', some might say.
Monday, 19 April 2010
Underwater Explosions
Wednesday, 7 April 2010
Sunday, 4 April 2010
New York New York.
It's decided then. I want to live in New York. Probably one of the easiest choices I have ever had to make in my life falling second only to 'hmm, double vodka lemonade and lime please'. That city is amazing! The streets are just a flood of yellow with everything moving in seemingly chaotic yet secretly intricate fashion. Everyone knows where they need to be and there only real goal is to get there. Yet they are still more than happy to help you with directions if you get lost. Granted, they will send you off in the complete opposite direction that you need to be in. But its the thought that counts, eh?
After our 17 hours of travelling we checked into our hotel. But not the hotel we thought we were not. Not the hotel with a view of central park and the Empire State building. No. Not there. Instead, we walked though the reception of a holiday in where we were randomly split into pairs to share rooms. After a couple of minutes of room swapping and finding out the college policy of boys and girls not being allowed to share a room on college trips (a policy and have unintentionally ignored for the past 4 years of Newcastle College and from now on will intentionally ignore) I ended up sharing a room with Samantha. This was my first real taste of how everything is bigger in America. The bed. I assume New York's culture isn't so different to our own that they partake in threesome relationships. However, that could be the only explanation for the size of the bed that greeted us when we walked into our room. A family of four could have lived on that bed never mind sleep in it. It was humongous! Only now that I have recovered from the shock do I regret not talking a picture of it.
Over the 2.5 days we got to spend going around New York (I have worked out that the trip cost £300 per full day we got to spend there) we done the usual touristy things. We went to a comedy club (which seemed to be a reticle of a Sarah Silverman show). We went on a tour bus around the city. We took hundreds of photos. We ate in novelty places. We ate in 'real american diners.' We went shopping. We went window shopping down Madison Avenue. We even had a horse drawn carriage ride around Central Park (and paid someone off to get the horse we wanted). But when we weren't walking around with our massive signs that read 'I'm a tourist. Please harass me to buy tour bus tickets!' we went to two advertising agencies. McCann and.
McCann was the first agency. After arriving fashionably late we met some of the creatives for the company, one of whom was the man behind the Motorola Madonna commercial from way back in the early naughties (and who my Madonna loving friend has since hailed as a hero as this was apparently the beginning of Madonna comeback?). What surprised me though, and probably everyone else as well was how different agencies work over in New York and American compared to here in the UK. In New York your required to submit a CV with your book because your previous academic achievements are considered important.
Unlike any agency I've been to in London the New Yorkers took great pride in showing you their offices and gadgets. This is probably due to a lot of the work being produced entirely internally so they have recording studios, film sets, white rooms and fancy corridors galore.
The next day at DDB we saw a trio of young creatives, 66% of them being fancied by every girl and me in the room. They talked a lot about how to get into the industry and although it is different over there than it is here some things translate over. Such as working freelance which is how they got into DDB. Working freelance and treating it as we would a placement; an opportunity to 'blow their socks off' was one of the best bits of advice they gave us.
Overall, I liked the agencies and loved the people in them. I love New York and could probably, one day, see myself living and working there. My only 'hicup' at the minute is the different style of work that is produce. In the UK adverts are very creative and persuasive (at least the good ones are). Over there, its more practical and straight forward. 'This is our product. This is why you need it. Thank you for your time.'
I'm really tempted to post a link to Alica Keys – New York to play us out but I'll resist. Honestly, I was half expecting the entire plane to burst into song during our descent into JFK.
Wednesday, 24 March 2010
Drummond Crit
We had our second local book crit today at Drummond Central. As always, we were late. After having only received the email 10 minutes before out appointment we rushed down sending emails to candy coat the fact we were going to be late. But we made it.
Drummond was the first local agency I ever went too. Before that I'd only every been to the likes of Fallon and Widen and Kennedy – big rich agencies who had crock loads of cash to make themselves look pretty. Up until this point I thought any local agencies would have the same flare their London cousins did. I thought they would look nice but something you'd expect the council to run. Cheap plastics and badly lit rooms. Well. Let me tell you. Not the case!
My first visit to Drummond was the first time I actually contemplated working locally. The reception area was a lush monochrome zone and the conference room has a long wooden table to embodied creative importance. Their work was equally impressive and although not as big and extravagant as London produced work it still has that important creative though.
This crit was the first crit I have ever not taken notes on because a lot of creatives comment that they feel like I'm marking them. But its not that. It's just my memory is like a sift when I need to retain important information. And this proves it. Only a few hours after the crit I'm already forgetting what Steve said. But never mind. I'll solider on!
He liked a lot of our work and like many others praised the art direction of campaigns such as Clinique and the strategies of campaigns such as Splenda 'cheat.'
Overall it was a fairy positive crit but we didn't get the placement we were hoping for. However, we did get an invite to go back once we've developed our ideas and took on board what he had suggest – hopefully for a placement then.
We also got some good live briefs which we can work on towards the current module.
New York on monday!!
Monday, 22 March 2010
Worth the Wait.
A few weeks ago we sent out emails asking our wonderful contacts in big ol' London agencies for a few lives briefs to work on. Finally, today we hear back from them! Literally within 3 hours of each other two emails came though each with a wonderful brief to work on.
Thom and Danielle from Y&R emailed us a brief for the Freelander2 (an apologised over and over for their late reply – its okay; we forgive!) whilst James Rooke from McCann sent us one for Master Card supporting the Brit Awards which we are aloud to go 360 on. He did not however make any mention for the gloriously ingenious links we attached to ourself in the email.
I'm looking forward to working on both of these briefs. As the Master Card brief runs along side the Brit Awards it will be fun to look towards music and the award show to find inspiration. The Freelander brief will be good as it has a nice open proposition behind it “More than just a car”.
We have 7 days until we go to New York and then separated again though Claudia's trip to Australia for two weeks so the plan is to get as much done on these briefs before hand as we can so we can develop over Easter.